Latest Update: zoolights (2025-03-25)
Taking my final exam
at a picnic table alone
in a field under a weeping willow,
I notice at the edge of my vision
a building I don't recognize.
Its walls are brightly painted wood.
Its roof is edged with curving eaves.
A shining white dome crowns the top.
Wide steps lead up to golden doors
that shimmer in the afternoon heat.
It takes an effort to look away.
Walking inside the massive school
for the last time to hand in my test,
I wonder if I passed. No one stops me
from drifting outside again,
past the willow, to the golden doors.
They're dragging me in.
And before I can think, I ascend
the ancient steps and grasp
the gnarled oak handle and pull.
Dense cool air rushes past me
as I cross the threshold
into a hallway that stretches before me.
I feel lighter in here. There is a current
that guides my movements, bending gravity
to its will. A tribal mask floats before me,
and I grab it, pulling it over my face as I glide
down the sacred hall, applause echoing from all sides.
Thick red carpet shifts and lifts my feet,
and the intricate frescoes covering the walls
pulse and dance, driving me forward.
Heavy black doors wait at the end
of the hall, and as they eclipse my vision,
I ascertain that once I pass through,
there will be no turning back.
Two golden mirrors flank the doors,
showing not my reflection but dim woods
where piles of leaves stir restless:
my alternate fate.
I drop my mask and extend one trembling
hand toward the handle black
as empty space. I grasp and pull
and step forward then stop
as I hear the doors behind me seal
shut, knowing this means no turning back,
no escape until death.
The hair on my neck stands at attention
as a powerful force fills the air around me.
Hovering over: some holy ghost watching,
ready to strike if I dare to look back.
What have I done? The brightness
of the room beyond the black doors
originates from everywhere and nowhere.
With an emptied mind, I change
into a waiting robe, shave my head
over a bronze basin, open red doors
and enter a final room
that bustles with other young adults
who've also passed. They seem excited,
chatting quietly to each other
as if being there is some achievement.
But I keep my eyes on the ground
as I walk past tables where the others
assemble machine parts: inconspicuous cogs
and wheels and cylinders that travel down
a conveyor belt that disappears into
a dark hole in the wall.
It takes effort not to react
when I recognize that low grinding sound
emanating from that hole,
but I cannot show fear.
This is what I've been prepared for.
This is the way of things.